Elysium explores the meeting point between mathematical order and altered perception. Built around the precision of Euclidean geometry, its diamonds, grids and repeating symmetries create the impression of a structure extending beyond the visible plane.

At its centre, increasingly intricate forms draw the eye inward, almost like the architecture of a lucid dream: ordered enough to feel intentional, yet unfamiliar enough to resist immediate interpretation. Under ultraviolet light, colour becomes another dimension of the geometry, transforming the composition into something closer to a portal than a static image.

A study of symmetry, perception and the possibility of worlds beyond the immediately visible.

The emphasis on Euclidean structure works particularly well here because the painting on page 4 is visibly dominated by straight lines, diamonds, grids and bilateral symmetry.